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Sealed!!! (see my pics)
Music For 18 Musicians
(1:07:42)
1-1
Pulses
5:26
1-2
Section I
3:58
1-3
Section II
5:13
1-4
Section IIIA
3:55
1-5
Section IIIB
3:46
1-6
Section IV
6:37
1-7
Section V
6:49
1-8
Section VI
4:54
1-9
Section VII
4:19
1-10
Section VIII
3:35
1-11
Section IX
5:24
1-12
Section X
1:51
1-13
Section XI
5:44
1-14
Pulses
6:11
Different Trains
(26:51)
2-1
America - Before The War
8:59
2-2
Europe - During The War
7:31
2-3
After The War
10:21
Tehillim
(30:29)
2-4
Part I: Fast
11:45
2-5
Part II: Fast
5:54
2-6
Part III: Slow
6:19
2-7
Part IV: Fast
6:24
2-8
Eight Lines
17:29
You Are (Variations)
(27:00)
3-1
You Are Wherever Your Thoughts Are
13:14
3-2
Shiviti Hashem L'negdi (I Place The Eternal Before Me)
4:15
3-3
Explanations Come To An End Somewhere
5:24
3-4
Ehmor M'aht, V'ahsay Harbay (Say Little And Do Much)
4:04
New York Counterpoint
(11:19)
3-5
Fast
5:03
3-6
Slow
2:44
3-7
Fast
3:32
3-8
Cello Counterpoint
11:36
Electric Counterpoint
(14:43)
3-9
Fast
6:51
3-10
Slow
3:22
3-11
Fast
4:30
Triple Quartet
(14:43)
3-12
First Movement
7:10
3-13
Second Movement
4:05
3-14
Third Movement
3:28
4-1
Come Out
12:48
4-2
Proverb
14:04
The Desert Music
(48:04)
4-3
First Movement (Fast)
7:54
4-4
Second Movement (Moderate)
6:59
4-5
Third Movement, Part One (Slow)
7:00
4-6
Third Movement, Part Two (Moderate)
5:54
4-7
Third Movement, Part Three (Slow)
5:55
4-8
Fourth Movement (Moderate)
3:35
4-9
Fifth Movement (Fast)
10:48
5-1
Music For Mallet Instruments, Voices, And Organ
16:50
Drumming
(56:43)
5-2
Part I
17:30
5-3
Part II
18:11
5-4
Part III
11:13
5-5
Part IV
9:50
• Phonographic Copyright ℗ – Nonesuch Records
• Phonographic Copyright ℗ – Nonesuch Records Inc.
• Phonographic Copyright ℗ – WEA International Inc.
• Copyright © – Nonesuch Records Inc.
• Copyright © – WEA International Inc.
• Manufactured By – Warner Music Manufacturing Europe
• Published By – Hendon Music, Inc.
• Published By – Boosey & Hawkes
• Recorded At – The Hit Factory
• Recorded At – Russian Hill Recording
• Recorded At – Wisseloord Studios
• Recorded At – Capitol Studios
• Recorded At – John Kilgore Sound & Recording
• Recorded At – Power Station
• Recorded At – Skywalker Sound
• Recorded At – RCA Studio A
• Recorded At – CTS Studios
• Mixed At – The Hit Factory
• Mixed At – SoundByte Productions
• Mixed At – Masque Sound
• Mixed At – New York Digital Recording, Inc.
• Edited At – New York Digital Recording, Inc.
• Edited At – SoundByte Productions
• Record Company – Warner Music Group
• Pressed By – Cinram GmbH
• Alto Vocals – Alice Murray (tracks: 3-1 to 3-4), Amy Fogerson (tracks: 3-1 to 3-4), Jay Clayton (tracks: 1-1 to 1-14, 5-1 to 5-5), Kim Switzer (tracks: 3-1 to 3-4), Nancy Sulahian (tracks: 3-1 to 3-4), Sarona Farrell (tracks: 3-1 to 3-4), Tracy Van Fleet (tracks: 3-1 to 3-4)
• Bass – Donald Palma (tracks: 4-3 to 4-9), Oscar Hildago (tracks: 3-1 to 3-4)
• Cello – Delores Bing (tracks: 3-1 to 3-4), Greg Passelink (tracks: 2-8), Jeanne LeBlanc (tracks: 1-1 to 1-14), Jennifer Culp (tracks: 3-12 to 3-14), Joan Jeanrenaud (tracks: 2-1 to 2-3), Mark Stewart (tracks: 2-8), Maurice Grant (tracks: 3-1 to 3-4), Maya Beiser (tracks: 3-8), Roger LeBow (tracks: 3-1 to 3-4), Sharon Prater (tracks: 4-3 to 4-9)
• Clarinet – Evan Ziporyn (tracks: 1-1 to 1-14, 2-8, 3-5 to 3-7), Helen Goode-Castro (tracks: 3-1 to 3-4), James Faschia (tracks: 3-1 to 3-4), Larry Hughes (tracks: 3-1 to 3-4), Leslie Scott (tracks: 1-1 to 1-14), Michael Lowenstern (tracks: 2-8)
• Conductor – Bradley Lubman (tracks: 2-8), Grant Gershon (tracks: 3-1 to 3-4), Michael Tilson Thomas (tracks: 4-3 to 4-9), Paul Hillier (tracks: 4-2), Reinbert de Leeuw (tracks: 2-4 to 2-7)
• Coordinator [Editorial, For Nonesuch Records] – Robert Edridge-Waks
• Coordinator [Production, For Nonesuch Records] – Eli Cane
• Coordinator [Production] – Jennifer Keats (tracks: 2-1 to 2-3, 3-9 to 3-11), Karina Beznicki (tracks: 2-4 to 2-7)
• Design – John Gall
• Edited By [Editing Assistance] – Jeanne Velonis (tracks: 1-1 to 1-14, 2-8 to 3-8, 4-2), Karl Heriem (tracks: 4-2)
• Edited By, Mixed By – Rudolph Werner (tracks: 4-3 to 4-9), John Newton (tracks: 4-3 to 4-9), Judith Sherman (tracks: 2-4 to 2-7, 5-1 to 5-5), Karl-August Naegler (tracks: 4-3 to 4-9), Paul Zinman (tracks: 5-2 to 5-5), Steve Reich (tracks: 2-4 to 2-7, 4-3 to 5-5), Wolf-Dieter Karwatki (tracks: 4-3 to 4-9)
• Engineer [Additional Recording, Assistant] – Andy Grassi (tracks: 2-4 to 2-7)
• Engineer [Mix, Assistant] – Ben Fowler (tracks: 2-1 to 2-3), Geraldo Lopez (tracks: 4-2), Greg Thompson (tracks: 1-1 to 1-14), Tony Black (tracks: 1-1 to 1-14, 2-8, 3-5 to 3-7)
• Engineer [Mix] – John Kilgore (tracks: 1-1 to 1-14), Rob Eaton (tracks: 2-1 to 2-3)
• Engineer [Pro Tools] – Jimmy Hoyson (tracks: 3-1 to 3-4)
• Engineer [Recording, Assistant] – Bob Levy (tracks: 3-12 to 3-14), Chris Hilt (tracks: 1-1 to 1-14), Dann Thompson (tracks: 3-12 to 3-14), Gary Solomon (tracks: 3-9 to 3-11), Glen Marchese (tracks: 1-1 to 1-14), Greg Thompson (tracks: 2-8, 4-2), Kevin Stone (tracks: 2-8), Michael Ahearn (tracks: 2-1 to 2-3), Tony Black (tracks: 3-5 to 3-7)
• Engineer [Recording] – Dick Lewzey (tracks: 5-1), Hans Bedecker (tracks: 2-4 to 2-7), Jan Folkson (tracks: 3-8), John Kilgore (tracks: 1-1 to 1-14, 2-8 to 3-7, 3-12 to 3-14, 4-2), Les Brockman (tracks: 2-1 to 2-3), Paul Goodman (tracks: 4-3 to 4-9, 5-2 to 5-5), Rob Eaton (tracks: 3-9 to 3-11)
• Engineer [Second] – Bruce Monical (tracks: 3-1 to 3-4)
• Executive-Producer – Robert Hurwitz
• Flute – Geri Ratella (tracks: 3-1 to 3-4), Sara Weisz (tracks: 3-1 to 3-4)
• Guitar – Pat Metheny (tracks: 3-9 to 3-11)
• Liner Notes [Notes By] – Alex Ross , David Robertson
• Maracas, Marimba, Glockenspiel – Thad Wheeler (tracks: 1-1 to 1-14, 5-1 to 5-5)
• Maracas, Piano – Philip Bush (tracks: 1-1 to 1-14)
• Marimba – John Magnussen (tracks: 3-1 to 3-4), Mike Englander (tracks: 3-1 to 3-4), Tom Raney (tracks: 3-1 to 3-4), Wade Culbreath (tracks: 3-1 to 3-4)
• Marimba, Glockenspiel – Ben Harms (tracks: 5-2 to 5-5), Gary Schall (tracks: 5-2 to 5-5), Glen Velez (tracks: 5-2 to 5-5)
• Marimba, Piano, Xylophone, Glockenspiel – Garry Kvistad (tracks: 1-1 to 1-14, 5-1)
• Marimba, Xylophone, Vibraphone – Russell Hartenberger (tracks: 1-1 to 1-14, 4-2, 5-1 to 5-5)
• Mezzo-soprano Vocals – Ananda Goud (tracks: 2-4 to 2-7), Yvonne Benschop (tracks: 2-4 to 2-7)
• Mixed By – John Kilgore (tracks: 3-1 to 3-4, 3-8, 3-12 to 3-14), Judith Sherman (tracks: 3-1 to 3-4, 3-12 to 3-14), Steve Reich (tracks: 3-1 to 3-4, 3-12 to 3-14)
• Oboe – Joan Elardo (tracks: 3-1 to 3-4), Joel Timm (tracks: 3-1 to 3-4)
• Performer – Bang On A Can (tracks: 2-8), Kronos Quartet (tracks: 2-1 to 2-3, 3-12 to 3-14), Los Angeles Master Chorale (tracks: 3-1 to 3-4), Schönberg Ensemble (tracks: 2-4 to 2-7), Percussion Group The Hague (tracks: 2-4 to 2-7), Steve Reich And Musicians (tracks: 1-1 to 1-14, 4-3 to 5-5), Chorus And Members Of The Brooklyn Philharmonic (tracks: 4-3 to 4-9), Theatre Of Voices (tracks: 4-2)
• Performer [With Members Of] – The Steve Reich Ensemble (tracks: 4-2)
• Photography By [Photograph Of Steve Reich] – Jeffrey Herman
• Piano – Brian Pezzone (tracks: 3-1 to 3-4), Gloria Cheng (tracks: 3-1 to 3-4), Jay Clayton (tracks: 1-1 to 1-14), Lisa Edwards (tracks: 3-1 to 3-4), Vicki Ray (tracks: 3-1 to 3-4)
• Piano, Marimba – Steve Reich (tracks: 1-1 to 1-14, 5-1 to 5-5)
• Piano, Organ [Electric] – Edmund Niemann (tracks: 1-1 to 1-14, 2-8, 4-2), Nurit Tilles (tracks: 1-1 to 1-14, 2-8, 4-2, 5-1)
• Piccolo Flute – Mort Silver (tracks: 5-2 to 5-5)
• Piccolo Flute, Flute – David Fedele (tracks: 2-8), Patti Monson (tracks: 2-8)
• Producer – Rudolph Werner (tracks: 4-3 to 4-9), Judith Sherman (tracks: 1-1 to 4-2, 5-1 to 5-5), Steve Reich (tracks: 4-1 to 4-9, 5-2 to 5-5)
• Producer [Production Assistant] – David Oakes (tracks: 3-9 to 3-11), Jeanne Velonis (tracks: 1-1 to 1-14), Sidney Chen (tracks: 1-1 to 1-14, 2-8, 4-2)
• Soprano Vocals – Allison Zelles (tracks: 4-2), Andrea Fullington (tracks: 4-2), Barbara Borden (tracks: 2-4 to 2-7), Cheryl Bensman Rowe (tracks: 1-1 to 1-14, 4-3 to 4-9), Claire Fedoruk (tracks: 3-1 to 3-4), Emily Lin (tracks: 3-1 to 3-4), Marie Hodgson (tracks: 3-1 to 3-4), Marion Beckenstein (tracks: 1-1 to 1-14), Phoebe Alexander (tracks: 3-1 to 3-4), Rachelle Fox (tracks: 3-1 to 3-4), Rebecca Armstrong (tracks: 1-1 to 1-14, 5-1), Sonja Rasmussen (tracks: 4-2), Tania Batson (tracks: 3-1 to 3-4), Tannie Willemstijn (tracks: 2-4 to 2-7)
• Supervised By [Production, For Nonesuch Records] – Karina Beznicki
• Tenor Vocals – Alan Bennett (tracks: 4-2), Fletcher Sheridan (tracks: 3-1 to 3-4), Joseph Golightly (tracks: 3-1 to 3-4), Kevin St.Clair (tracks: 3-1 to 3-4), Pablo Cora (tracks: 3-1 to 3-4), Paul Elliott (tracks: 4-2), Sean McDermott (tracks: 3-1 to 3-4), Shawn Kirchner (tracks: 3-1 to 3-4)
• Viola – Darren McCann (tracks: 3-1 to 3-4), Francesca Martin (tracks: 4-3 to 4-9), Hank Dutt (tracks: 2-1 to 2-3, 3-12 to 3-14), Catherine Reddish (tracks: 3-1 to 3-4), Martha Mook (tracks: 2-8), Ron Lawrence (tracks: 2-8), Victoria Miskolcsky (tracks: 3-1 to 3-4)
• Violin – David Harrington (tracks: 2-1 to 2-3, 3-12 to 3-14), Deborah Redding (tracks: 4-3 to 4-9), Elizabeth Knowles (tracks: 2-8), Elizabeth Lim (tracks: 1-1 to 1-14), Gregor Kitzis (tracks: 2-8), Jacqueline Carrasco (tracks: 2-8), John Sherba (tracks: 2-1 to 2-3, 3-12 to 3-14), Julie Rogers (tracks: 3-1 to 3-4), Ralph Morrison (tracks: 3-1 to 3-4), Samuel Fischer (tracks: 3-1 to 3-4), Steve Scharf (tracks: 3-1 to 3-4), Susan Reddish (tracks: 3-1 to 3-4), Tamara Hatwan (tracks: 3-1 to 3-4), Todd Reynolds (tracks: 2-8)
• Voice [Long Tones] – Pamela Wood Ambush (tracks: 5-1 to 5-5)
• Xylophone, Marimba – Tim Ferchen (tracks: 1-1 to 1-14, 5-1)
• Xylophone, Marimba, Vibraphone – Bob Becker (tracks: 1-1 to 1-14, 4-2, 5-1 to 5-5)
• Xylophone, Piano, Vibraphone – James Preiss (tracks: 1-1 to 1-14, 5-1 to 5-5)
Tracks 1-1 to 1-14 recorded October 1996 at the Hit Factory, New York. Mixed November 1996 and January 1997 at the Hit Factory, New York.
Originally released on Nonesuch 79448, "Music for 18 Musicians".
℗ 1994 Nonesuch Records
Tracks 2-1 to 2-3 recorded August-September 1988 at Russian Hill Recording, San Francisco, CA.
Originally released on Nonesuch 79176, "Different Trains / Electric Counterpoint".
℗ 1989 Nonesuch Records
Tracks 2-4 to 2-7 recorded August 1993 at Wisseloord Studios, Hilversum, The Netherlands. Additional recording at The Hit Factory, New York. Edited and mixed at SoundByte Productions, New York.
Originally released on Nonesuch 79295, "Tehillim / Three Movements".
℗ 1994 Nonesuch Records
Track 2-8 recorded June 1996 at the Hit Factory, New York. Mixed October 1996 at the Hit Factory, New York.
Originally released on Nonesuch 79481, "New York Counterpoint / Eight Lines / Four Organs"
℗ 1997 Nonesuch Records
Tracks 3-1 to 3-4 recorded March 29 & 30, 2005, at Studio A, Capitol Studios, Hollywood, CA.
Originally released on Nonesuch 79891, "You Are (Variations)".
℗ 2005 Nonesuch Records
Tracks 3-5 to 3-7 recorded January 1996 at the Hit Factory, New York. Mixed October 1998 at the Hit Factory, New York.
Originally released on Nonesuch 79481, "New York Counterpoint / Eight Lines / Four Organs"
℗ 1997 Nonesuch Records
Track 3-8 recorded Sept 29 & 30, 2003, at John Kilgore Sound & Recording, New York, NY.
Originally released on Nonesuch 79891, "You Are (Variations)".
℗ 2005 Nonesuch Records
Tracks 3-9 to 3-11 recorded September-October 1987 at Power Station, New York.
Originally released on Nonesuch 79176, "Different Trains / Electric Counterpoint".
℗ 2005 Nonesuch Records
Tracks 3-12 to 3-14 recorded March-April 1999 and August 2000 at Skywalker Sound. Mixed at Masque Sound.
Originally released on Nonesuch 79546, "Triple Quartet".
℗ 2001 Nonesuch Records
Track 4-1 originally released on Nonesuch 79169, "Early Works: Come Out / Piano Phase / Clapping Music / It's Gonna Rain".
℗ 1987 Nonesuch Records
Track 4-2 recorded June 1998 at the Hit Factory, New York.
Originally released on Nonesuch 79430, "Proverb / Nagoya Marimbas / City Life".
℗ 1996 Nonesuch Records
Tracks 4-3 to 4-9 recorded October 1984 at RCA Studio A, New York.
Originally released on Nonesuch 79101, "The Desert Music".
℗ 1985 Nonesuch Records
Track 5-1 recorded November 1988 at CTS Studios, London. Edited and mixed at New York Digital Recording, Inc., New York.
Originally released on Nonesuch 79220, "The Four Sections / Music for Mallet Instruments, Voices, and Organ".
℗ 1990 Nonesuch Records
Tracks 5-2 to 5-5 recorded May 1987 at RCA Studio A, New York.
Originally released on Nonesuch 79170, "Drumming".
℗ 1987 Nonesuch Records
Music published by Hendon Music Inc. / Boosey & Hawkes (BMI).
This compilation ℗ & © 2006 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Manufactured in the E.U.
Packaging: five single digipaks numbered Disc 1 to Disc 5, housed in a card slipcase. Comes with a 52 pp. booklet.
