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bruckner / dvořák / rossini
Symphonies 8; semiramide overture / philharmonia orchestra, carlo maria giulini

 
 
販売及び発送元

MELOMAAN

2 135 過去の取引数

Mint
19.99 € 付加価値税込み(該当する場合)
カートに追加
  • フォーマットCD 2枚
  •  
  • 状態ほぼ新品 オリジナル
  • ジャケットの状態S ?
  • ディスクの状態S ?
  •  
  • レーベルBBC 4159
  • プレス国UPC/EAN: 684911415926 - EU
  • 出版年2004
  •  
  • 在庫数1
  •  
  • 送料
  •  
 
セラーからのコメント :
Giulini - Bruckner, Dvorák, Rossini / Philharmonia

Release Date: 10/19/2004
Label: Bbc Legends Catalog #: 4159 Spars Code: ADD
Composer: Anton Bruckner, Antonín Dvorák, Gioachino Rossini
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Philharmonia Orchestra
Number of Discs: 2
Recorded in: Stereo
EAN: 0684911415926


Works on This Recording

1. Symphony no 8 in C minor, WAB 108 by Anton Bruckner
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Philharmonia Orchestra
Period: Romantic
Written: Vienna, Austria
Date of Recording: 1983
Notes: Composition written: Vienna, Austria (1884 - 1887).
Composition revised: Vienna, Austria (1887 - 1890).
2. Symphony no 8 in G major, Op. 88/B 163 by Antonín Dvorák
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Philharmonia Orchestra
Period: Romantic
Written: 1889; Bohemia
Date of Recording: 1963
3. Semiramide: Overture by Gioachino Rossini
Conductor: Carlo Maria Giulini
Orchestra/Ensemble: Philharmonia Orchestra
Period: Romantic
Written: 1823; Italy
Date of Recording: 1963


Notes and Editorial Reviews

These live performances are all from London. The Bruckner (in its 1890 version, edited Nowak) was recorded in the Royal Festival Hall on September 18, 1983; the Dvo?ák is from the Royal Albert Hall on August 8, 1963; and the Festival Hall Rossini is from November 25, 1963. This generous compilation offers concert performances 20 years apart, either side of the Philharmonia Orchestra's “New” phase, from a conductor that had a long and distinguished association with the orchestra. Giulini, now retired, celebrated his 90th birthday in May 2004.

Giulini's conception of Bruckner's mighty Symphony No. 8 is, as might be expected, on a large and searching scale. This is an enthralling rendition (one preferable to his DG recording with the Vienna Philharmonic), one that has haunted this writer since the concert and which, two decades later, seems every bit as imposing and transporting as memory suggested. Giulini's engrossing account is wholly organic. In the closing bars of the first movement, the ticking clock really does stop when the conductor, as Giulini does, resists even the merest suggestion of a ritardando. The scherzo may not go like a train, but its very trenchancy builds up a fine head of steam, the trio bringing a temperate contrast. Throughout, there's a focus on the music's expressional reach and singular beauty that is the result of intensive study, painstaking preparation, and something not far short of “Holy Communion” between conductor and composer, and between conductor and orchestra. The slow movement is intensely articulate, and Giulini builds the finale to transcendent release. Excellent stereo sound re-mastered by Tony Faulkner.

BBC Legends has previously released a radiant Giulini Philharmonia Orchestra Bruckner Symphony No. 7 (BBCL 4123-2), exceptional, and now issues this ecstatic account of No. 8; similarly, it is a mandatory purchase.

The Dvo?ák, from the 1963 Proms, is also in stereo; it's a lyrical and fiery account, with thrilling passion and urgency alongside the most eloquent phrasing and sensitive balances; a real concert performance, one that followed by 18 months this conductor's and orchestra's studio recording for Columbia/EMI. This live account sounds very good, too; and writing as someone who is very susceptible to digital re-mastering that intercedes into music's “real” tones—with tell-tale murkiness in bass and pianissimo passages and “watery”-sounding woodwinds, etc.—it is very gratifying to hear Faulkner's expertise here. His transfer hasn't soured or bolstered the timbres; what we have is as honest as the performance itself, which is delightfully melodious and vividly detailed.

The Rossini (in mono) is crisply dramatic and closes this pair of CDs (just as it did this particular 1963 concert) with a carefully crafted and bewitching texture of sound and exuberance.

Colin Anderson, FANFARE

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  • 出品商品数
    19 958 商品
  • CDandLPでの販売歴
    2013年9月
  • 過去の取引
    2 135
  • 発送元
    Nederland
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